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Visions : Notes of the seminar given in 1930-1934 (2 Volume Set) (Bollingen), by C.G. Jung
Fee Download Visions : Notes of the seminar given in 1930-1934 (2 Volume Set) (Bollingen), by C.G. Jung
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For C. G. Jung, the beautiful and gifted 28-year-old Christiana Morgan was an inspirational and confirming force whose path in self-analysis paralleled his own quest for self-knowledge. By teaching Morgan the trance-like technique of active imagination, Jung launched her on a pilgrimage of archetypal encounters in a quest for psychological integration--encounters she recorded in the words and brilliant paintings that formed the basis of the seminar Jung would give to his circle in Zurich. Here the careful transcriptions of the seminar notes are combined with color reproductions of the visions paintings, offering an unprecedented view of Jung as a teacher and as a man. He speaks candidly and brilliantly in a dialogue with members of the seminar about the Morgan visions, even as he struggles with the feminine principle in his subject and in his own psyche. The theories of his years of intellectual research--the anima and animus, the process of individuation, the mythopoetic archetypes of the collective unconscious--all spring to life in the fiery imagery of the vision quest.
Morgan paints an imaginal landscape where the feminine self crosses into the unconsciousness of night and death. In her visioning she links earth and sky, body and spirit, the infernal and the sublime. Recounting her journey, Jung employs his full range of scholarship and professional experience as he unravels the skein of archetypal parallels from western myth and eastern yoga.
- Sales Rank: #1095137 in Books
- Brand: Brand: Princeton University Press
- Published on: 1997-12-01
- Original language: English
- Number of items: 2
- Dimensions: 9.50" h x 3.50" w x 6.60" l, 5.45 pounds
- Binding: Hardcover
- 1500 pages
Features
- Used Book in Good Condition
Review
"The Visions seminars constitute a brilliant and demanding masterpiece that was too long circulated in small circles and kept secret from the general public. The publisher and editor are to be congratulated for bringing this noteworthy historical work into the public domain." -- Polly Young-Eisendrath, editor of The Cambridge Companion to Jung
"An extraordinary archival treasure of Jung's work in progress, his style and evolving encounters with the unconscious, his own and his analysands'. Claire Douglas and Princeton University Press are to be applauded for bringing together this inimitable work by the grand master of analytical, archetypal and depth psychology, Carl Gustave Jung." -- Clarissa Pinkola Ests, Ph.D., diplomate senior Jungian
From the Inside Flap
"The Visions seminars constitute a brilliant and demanding masterpiece that was too long circulated in small circles and kept secret from the general public. The publisher and editor are to be congratulated for bringing this noteworthy historical work into the public domain."--Polly Young-Eisendrath, editor of The Cambridge Companion to Jung
"An extraordinary archival treasure of Jung's work in progress, his style and evolving encounters with the unconscious--his own and his analysands'. Claire Douglas and Princeton University Press are to be applauded for bringing together this inimitable work by the grand master of analytical, archetypal and depth psychology, Carl Gustave Jung."--Clarissa Pinkola Estés, Ph.D., diplomate senior Jungian analyst, author of Women Who Run With the Wolves, The Gift of Story, and The Faithful Gardener
From the Back Cover
"The Visions seminars constitute a brilliant and demanding masterpiece that was too long circulated in small circles and kept secret from the general public. The publisher and editor are to be congratulated for bringing this noteworthy historical work into the public domain."--Polly Young-Eisendrath, editor of The Cambridge Companion to Jung
"An extraordinary archival treasure of Jung's work in progress, his style and evolving encounters with the unconscious--his own and his analysands'. Claire Douglas and Princeton University Press are to be applauded for bringing together this inimitable work by the grand master of analytical, archetypal and depth psychology, Carl Gustave Jung."--Clarissa Pinkola Estés, Ph.D., diplomate senior Jungian analyst, author of Women Who Run With the Wolves, The Gift of Story, and The Faithful Gardener
Most helpful customer reviews
3 of 3 people found the following review helpful.
Christiana Morgan's vision paintings are of great value for both women and men
By Thomas J. Farrell
From the 19th century onward, the feminine spirit has been rising in American culture, as Ann Douglas' book THE FEMINIZATION OF AMERICAN CULTURE (1977) shows. The feminine spirit has been rising in the psyches of both certain American women and certain American men. But the feminine spirit does not appear to be rising in the psyches of all American women or all American men.
Christiana Morgan (1897-1967) was a 28-year old American woman when she began psychotherapy in Zurich with C. G. Jung, M.D. (1885-1961). Dr. Jung taught her a trance-like practice that he referred to as active imagination - a practice that he himself had engaged in at length after his famous break with Freud.
In Christiana Morgan's trance-like experiences, images from her unconscious appeared to her. These images are referred to as visions. She wrote up her visions. Jung encouraged her also to make paintings of her visions - as he himself had done at an earlier time as of a result of the visions he had had. Because of her earlier art education, she was able to make vivid paintings skillfully.
In her biography of Christiana Morgan, TRANSLATE THIS DARKNESS: THE LIFE OF CHRISTIANA MORGAN (1993), Claire Douglas says, "In May 1927, Christiana had the last vision of the series" (page 172).
Each of the two volumes titled VISIONS: NOTES OF THE SEMINAR GIVEN IN 1930-1934 BY C. G. JUNG, edited by Claire Douglas (1997), includes a selection of Christiana Morgan's vivid paintings.
They are worth the price of these two expensive volumes to see and to be able to examine, because the archetypal spirit of the feminine that she experienced is rising still in women and men in American culture today.
But it would be valuable to have all of Christiana Morgan's paintings of her visions and all of her written accounts of her visions gathered together in one volume with a suitable introduction - perhaps by Claire Douglas.
Now, in Jung's visions, he explored the Wise Old Man archetype and the anima archetype in his psyche. When he started his active imagination exercises to explore his unconscious, he was about ten years older than Christiana Morgan was when she started her explorations. Moreover, Dr. Jung had already acquired his professional persona credentials as a medical doctor and psychiatrist - and was already a rising star professionally. But it would not be an exaggeration to say that he then devoted the rest of his long and productive life to working out the meaning and significance of his explorations of the unconscious.
All human beings, irrespective of gender identity, come equipped with the Wise Old Man archetype in their psyches.
In addition, all human beings, irrespective of gender identity, come equipped with both a feminine Lover archetype (which Jung refers to as the anima archetype in men) and a masculine Lover archetype (which Jung refers to as the animus archetype in women). One or the other of these two Lover archetypes is involved in projections in experiences of romantic love.
For these reasons, many men and women have been able to learn about themselves and their psyches by studying Jung's work.
Now, in my estimate, Christiana Morgan explored the Great Mother archetype in her unconscious. But Jung did not explore the Great Mother archetype in his unconscious. For this reason, he was out of his depth in trying to be Christiana Morgan's psychotherapist. Figuratively speaking, he was blown away by her and her visions.
The Great Mother archetype is a powerful archetype. Of course all archetypes are powerful. All archetypes have the power to overpower ego-consciousness. Nevertheless, the Great Mother archetype may be more powerful than the archetypes that Jung had integrated into his ego-consciousness by the time when Christiana Morgan was his patient.
However that may be, the Great Mother archetype is a mighty powerful archetype for American women and American men today to try to integrate into their ego-consciousness.
Now, Claire Douglas ventures to say that Christiana Morgan's "undeveloped, though passionate, capacity for feeling lies darkly in the unconscious, invisible; it then gets defined by men as an empty receptacle, uncannily sucking in men's projections [of their anima archetypes]. It is the woman's own energy and libido that inspire, but men take this unseen mercury to back the mirror of their own reflection. Morgan's visions offered her a vital alternative [to being a figure for men's projections of their anima archetypes]. They [her visions] created a battle within her" (page 174).
Tragically, life did not work out as well for Christiana Morgan after her visions of the Great Mother archetype as life worked out for Jung after his visions of the Wise Old Man archetype and the anima archetype.
Nevertheless, Christiana Morgan's vision paintings reproduced in these two volumes not only serve to remind us of her experience of the unconscious but also serve to remind us of just how difficult our own struggles with the rising spirit of the feminine in our psyches will be.
2 of 3 people found the following review helpful.
/very helpful
By Mary
Even though I was not sent the complete order, when I contacted the company they responded immediately and were very helpful and accomodating. The woman admitted the ommission and took care of it right away and sent me the rest of the order. I will definitely use them in the future.
0 of 0 people found the following review helpful.
like The Red Book
By rafael mazzini sosa
I though it was mostly graphic works, like The Red Book. But it is ok, the emphasis is in analysis.
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